Andrews carries more than one musical identity. He composes, writes, produces, plays saxophone, and works with the electronic wind instrument, moving between roles with the ease of someone who has spent years building his own language. He has performed in venues around the world, sharing stages with rising acts and established names while steadily carving out his own lane. What makes his work stay with you is the way it reaches beyond performance. His compositions seem to pull at the mind, body, and spirit, opening a space that feels strange, warm, and hard to shake. Good music has a way of finding the people meant for it, and Andrews’ releases keep proving that point.
On “Songs Undesirable Vol. 1 (Don’t Run Away),” the heart of the song sits in those beautifully rhythmic guitars. They push the reggae pulse forward with grace, while the saxophone slips in with a sensual glow and the drums keep everything clean, steady, and alive. Every element feels carefully placed. The result is a melodically consistent and rhythmically inviting work that draws you in almost before you realize you are moving with it.
The track carries an irresistible reggae vibe, but Andrews gives it his own turn. He leans into a rock shaped edge that deepens the song without weighing it down, revealing another flexible side of his artistry.
While listening, I thought about the feeling I had when I first heard Bob Marley’s “Stir it Up.” The songs take different paths, yet this one gave me that same sense of closeness, as though I had known it before I ever pressed play.
“Songs Undesirable Vol. 1 (Don’t Run Away)” is reggae rock with a bluesy touch, full of nostalgic familiarity and modern polish. It feels timeless in the best way, the kind of track you connect with before you can explain why.
Try it out, and let’s compare notes.
Follow Roy Andrews everywhere @roysworks.be to get up close and personal.