Isabel Maria is only eighteen, but her songwriting resonates like someone who’s lived a thousand lifetimes. With “At Least We Don’t Have Kids,” she spins a web of raw emotion and sharp wit, creating a track that feels like both a confessional diary entry and a communal therapy session. Rooted in her love for language and storytelling, the song is a sour ballad wrapped in shimmering synths and punctuated by a grounded piano line. It’s a delicate balancing act—turning life’s messiest moments into something not just relatable, but strangely comforting.
Maria’s vocal performance is the heartbeat of the track, moving seamlessly between playful irreverence and deep vulnerability. The humor she injects doesn’t detract from the weight of her words; instead, it enhances the emotional impact. Lines laced with a tongue-in-cheek perspective act as a reminder that even in our darkest moments, we can still find slivers of absurdity to hold onto. Produced by Josh Ingledew, the lush arrangement elevates this emotional rollercoaster, layering harmonies and dynamic beats that make the five-minute runtime feel like a journey rather than a song.
For fans of Phoebe Bridgers or Olivia Rodrigo, Maria’s work isn’t just another addition to the alternative pop scene—it’s a standout. “At Least We Don’t Have Kids” is a testament to her ability to dig deep into the human experience, pulling out stories that are equal parts raw and universal. Whether you’re laughing through the tears or reflecting on your own silver linings, this is a track that stays with you, echoing long after the final synth fades.
